
Maryam Rajabzadeh
BackBiography
MARYAM RAJABZADEH
b. 1997 — Shahr-e Kord, Iran
Maryam is an Iranian visual artist and photographer.
She was born into a craftsman family, learned carpentry and carpet weaving from her parents. She spent time in filmmaking, storytelling, photojournalism, and worked for some photo agencies.
She was born into a craftsman family, and her parents helped her learn carpentry and carpet weaving.
She was one of the main team members of the provincial badminton team during High school.
Maryam earned her BA/BS degree in architectural engineering, and due to her interest in art, she participates in the Arianpour Art School courses.
Although Calligraphy, carving, carpentry, and painting are her favorite forms of work, she loves photography.
Documentary and street photography are the primary fields of her work, while her recent projects have seen a gradual shift towards fine art photography and painting.
Artist Statement
Bakhtiaris are one of the largest and most famous tribal confederacies in Iran.
They speak a type of Lori dialect and live-in towns, villages, and nomadic territories of the central parts of the lofty Zagros Mountain range, Chahar Mahal-o-Bakhtiari, Khuzestan, Lorestan, and Isfahan Provinces.
In Nomadic life, women are valuable to their men since they play an important role in the stability of the family and tribal system and in the social structure of the tribe. They are family treasury and when they get old, they become a source of knowledge and information. Along with other family members, elderly women (dalu) have a fundamental role as well. Dalu hands down the traditions; teaches weaving secrets to the youngsters, leads singing in ceremonies, has an important role in marriage decisions, and every daily activity of other women is done under her consultation.
The nomadic women are dominant in all political, social, and economic decisions of the tribe. They play an important role in the tribe’s decisions. In addition to housekeeping and children’s education, they are highly professional in baking, dicing, and making yogurt, cheese, butter, whey, and oil.
Iran’s more than one million nomads have long resisted modernity through the isolation that comes thorough their lifestyle. Now, the combination of persistent drought, dust storms that turn the skies orange, widespread urbanization, the coming of mobile phones and internet access, and the temptation of modern luxury life in big cities impacts the future of nomadic people’s culture. Although many of their customs and ceremonies remain untouched, the number of nomads has fallen, and the strongest advocates of settling down have been the nomadic women. Their lives are tough, and they know it.
Deep traditions and patriarchy have kept change out. The last nomads still setting up their tents on the flanks of the Zagros admit that they might be the final chapter in the history of one of the largest remaining nomadic communities on Earth.
Till that time, they live, grow up, marry, dance, play, and make happiness the way they have for thousands of years.
Cirriculum Vitae
Architecture, carpenter, calligrapher, painter, and photographer
2022-present Junior designer, Special Space architectural office, Tehran, Iran
2025-present Photographer of artworks in Art Unity gallery, Tehran, Iran
2024 Photographer of artworks in Keyman gallery, Tehran, Iran
Member of the provincial Iranian photography association
Member of the provincial Iranian culture and art association
2025 Selected work: Der Grief
2024 Artist interview: Women Art United
Artist interview: Subo Art magazine
Collective exhibition: Decode gallery, USA
Collective exhibition: Goddess gallery, USA
Selected work: Women Art United magazine
Selected work: Subo Art magazine
2023 Selected work: Women Art United magazine
Selected work: Subo Art magazine etc.
