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Ruth Owens

Reconciliation ::: new paintings, in conjunction with the artist's feature in Prospect.6 New Orleans Triennial

"First Saturdays" Opening Receptions - 2 November + 7 December 5-9 PM

October 24 – December 7, 2024

RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Reconciliation
RUTH OWENS, Entangled, 2024
RUTH OWENS, Entangled, study, 2024
RUTH OWENS, Survey by Clarence (after Ivan Bilibin), 2024
RUTH OWENS, Survey by Clarence (after Ivan Bilibin), study, 2024
RUTH OWENS, Silver Hands (after Ivan Bilibin), 2024
RUTH OWENS, Girl with Silver Hands (after Ivan Bilibin), study, 2024
RUTH OWENS, Godspeed (after Ivan Bilibin), 2024
RUTH OWENS, Godspeed (after Ivan Bilibin), study, 2024
RUTH OWENS, Bobolink, 2024
RUTH OWENS, Whooping Crane, 2024
RUTH OWENS, Georgia Lake, 2024
RUTH OWENS, Georgia Lake, study I, 2023

Press Release

FERRARA SHOWMAN GALLERY is proud to present Reconciliation, the fourth gallery solo exhibition of New Orleans-based artist Ruth Owens. This exhibition features twelve new paintings, ten of which were unveiled this past summer in the artist’s first museum, solo exhibition at the Ohr O’Keefe Museum of Art. The exhibition opens and runs concurrent with Owen’s Prospect.6: The Future is Present, The Harbinger is Home featured-artist exhibition of Black Delight, An Ecopoem; a 4-channel immersive video installation at the Contemporary Arts Center New Orleans. This latest video work marks the largest artistic undertaking of Owens through its more than four-year development in which the artist has extensively researched, experimented, and collaborated to create a poetic display of resistance to extractive forces and human support found in a Black multigenerational dance party, aligned with evidence of nature’s support within our Gulf wetlands. The paintings in the gallery exhibition, all created in 2024, are a product and extension of this video project; marrying and entangling her subjects with nature in opposition to the human forces which seek to control both.

 

Reconciliation will be on view from 24 October through 7 December 2024 with an opening reception on Saturday 2  November 5-9pm coinciding with the opening weekend of Prospect.6 New Orleans Triennial and the Arts District New Orleans monthly First Saturday Gallery Openings. The gallery will also hold a closing reception on Saturday 7 December as part of the Arts District New Orleans’ annual, year-end event Holiday Cheers also from 5 – 9 PM.

 

Owens discusses her newest suite of paintings . . .

 

I am a muddy river, and the sun bright moss, and a fat-bellied spider. I am this wild, wild world, but we are not aligned. I am comfortable and drunk on extracted fruit and I am lost.

 

I long for a bygone relationship of mutual respect with nature in all its treacherous beauty. As a figurative painter and video artist who dreams of reconciliation between our anthropocentric tendencies and the natural world, I create optimistic imaginaries, all the while acknowledging the disconnect evident in our present ecological relationships. This dream is visual when folks dance fluidly and pelicans glide over waves. It is felt when I bring forth a worldview that is at one with the natural world; the west African Bakongo cosmogram’s circularity establishes the connectivity of all life. I also recognize our misalignment with other-than-human life, formally, in geometrically  irregular painting dimensions, and visually, in presenting a sanitized and controlled view of flora/fauna in wallpaper designs. References for this figurative work is culled from archival super-8 film taken by my parents in the 1960’s. Defying linearity of time, I look to the past and to the future for positive paths of reconciliation with our one earthly home.

Press Release cont'd

Ruth Owens graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented by the Ferrara Showman Gallery, and belongs to the artist collective, “The Front,” both in New Orleans. Owens’ work is concerned with contributing to and preserving the black archive, and she uses personal super-8 film references in her painting and video art. Artist residencies include the Joan Mitchell Center, the Addison Gallery of American Art, the Vermont Studio Center, the Studios at MASS MoCA, and the International Studio and Curatorial Program NY. Owens mounted her first, museum solo exhibition appeared at the Ohr O’Keefe Museum of Art in Biloxi, Mississippi August 2024 – January 2025. Her work is in the permanent collections of the 21c Museums, Ackland Art Museum at UNC-Chapel Hill, the Addison Gallery of American Art, the Dale Center for the Study of War and Society, Beth Rudin DeWoody, Fidelity Investments Corporate Collection, Methodist Hospital San Antonio, Ochsner Health’s Children’s Hospital, Southeastern Louisiana University, and the Ogden Museum of Southern Art.

 

For more information, press or sales inquiries please contact Gallery Director Matthew Weldon Showman at 504.343.6827 or matthew@ferrarashowman.com. Please join the conversation with FSG on Facebook (@FerraraShowmanGallery), Twitter (@FerraraShowman), and Instagram (@FerraraShowmanGallery) via the hashtags: #RuthOwens, #FerraraShowmanGallery, and #ArtsDistrictNewOrleans.