Pull Quote
Minervini’s naturalism is one that is tethered to the rich traditions of western painting, while striving to make new interpretations of a contemporary idea about beauty and the sublime.
Biography
R O B E R T M I N E R V I N I | | | @robert_minervini
[lives & works – Florence, Italy + Oakland, California ::: b. 1981, Secaucus, New Jersey, USA]
ROBERT MINERVINI is an artist working in painting, mural painting, printmaking, and site-specific public art.
He received his MFA from the San Francisco Art Institute, and his BFA from Tyler School of Art. His work has been exhibited nationally, including solo shows with Hirschl & Adler Modern, NYC; Edward Cella Gallery, LA; Rena Bransten Gallery, SF; as well as group and two-person exhibitions with the San Jose Museum of Art, San Jose, Torrance Art Museum, the Museum of Contemporary Art, San Diego, the di Rosa Center for Contemporary Art, Palo Alto Art Center, Schneider Museum of Art, and the Yerba Buena Center for the Arts. He is a recipient of the Murphy and Cadogan Fellowship by the San Francisco Foundation, and the Carmela Corso Scholarship by Tyler School of Art. He has completed multiple murals and public art commissions nationally including through the San Francisco Arts Commission, The Alameda County Arts Commission, and the Philadelphia Mural Arts Program. He has been a resident artist at the Bemis Center for Contemporary Arts, the Headlands Center of the Arts, and the Vermont Studio Center. His art has been published in New American Paintings (No. 91 and No. 109), Beautiful Decay, and Mural Art: Large Scale Art from Walls around the World. Minervini’s work has been reviewed in the LA Times, Modern Painters, San Francisco Chronicle, and Art Ltd., and featured in ArtWeek LA, 7x7 Magazine, and The Huffington Post. His work is in the collections of the San Jose Museum of Art, the Museum of Contemporary Art, San Diego, the City and County of San Francisco, and many private and corporate collections. He currently lives and works in Florence, Italy, and Oakland, California.
Artist Statement
Robert Minervini’s practice encompasses painting, printmaking, mural painting, and site specific public artworks.
His work examines an evolving relationship between nature and culture through the depiction of spatial environments. He utilizes tropes from art history, science fiction, film, and references from quotidian life to depict places and spaces both real and imagined.
Through grand landscapes and intricate still lives his work addresses the impact of humanity on the landscape. The version of reality he presents, displayed through saccharin sunsets and lush foliage, is a form of hypernaturalism, one that is exaggerated and created through the intervention of the camera and computer. Diving through a dense archive of imagery both found and personal, he typically makes digital sketches for each composition, which are then transferred to the canvas and painted using a multitude of painting techniques.
He’s interested in the many ways acrylic paint can be applied to create an image and builds his paintings through a laborious process of layering paint through hand cut stencils, hand painting, airbrushing, spray painting, and silk screen printing. He is drawn to the artificially flat nature of acrylic paints and their properties, which are often in contrast and dialogue with the subjects he approaches.
Minervini’s naturalism is one that is tethered to the rich traditions of Western painting while striving to make new interpretations of a contemporary idea about beauty and the sublime.
CV
EDUCATION
2009 MFA San Francisco Art Institute, San Francisco, CA
2005 BFA Tyler School of Art, Philadelphia, PA
SOLO EXHIBITIONS
2022 L'Attessa, Rena Bransten Gallery, San Francisco, CA
2019 Crystal Palace, Local Language Gallery, Oakland, CA
2019 Future Collapse, Rena Bransten Gallery, San Francisco, CA
2019 New Monuments, Hirschl & Adler Modern, New York, NY
2017 Life in the Shadows, Edward Cella Gallery, Culver City, CA
2017 Improvised Gardens, Rena Bransten Projects, San Francisco, CA
2016 Speed x Distance x Time, Sandpoint Gallery, University of Washington, Seattle, WA
2015 Invisible Reflections, Rena Bransten Projects, San Francisco, CA
2013 Until Tomorrow Comes, Marine Contemporary, Venice, CA
2013 After Glow: As the Wick Burns, Electric Works, San Francisco, CA
2012 On the Nature of Things, Marine Contemporary, Venice, CA
2009 A Means to an End, Eleanor Harwood Gallery, San Francisco, CA
TWO PERSON EXHIBITIONS
2016 California Utopias: Shifting Perspectives at the Edge of the West, City College of San Francisco, SF, CA
2014 Terminal Sunset, Littman Gallery, Portland State University, Portland, OR
2012 Hymns to the Moon, Johansson Projects, Oakland, CA
GROUP EXHIBITIONS
2023 No Dead Artists, Ferrara Showman Gallery, New Orleans, LA
2023 Lush, Hashimoto Contemporary, New York, NY
2023 Room with a View, Hashimoto Contemporary, New York, NY
2022 Angels in the Architecture, Talon Gallery, Portland, OR
2020 South East North West: New Works from the Collection, San Jose Museum of Art
2019 Reinventing the Real, Hirschl and Adler Modern, New York, NY
2018 San Diego: The Architecture of Four Ecologies, The La Jolla Historical Society, La Jolla, CA
2018 A Sentimental Mood, First Amendment Gallery, San Francisco, CA
2018 15-year Anniversary Exhibition, Root Division, San Francisco, CA
2017 California Connections: Selections from the Museum of Contemporary Art San Diego, California Center for the Arts, Escondido, CA
2017 Group Hang, Facebook Residency 5 year Anniversary Exhibition, The Lab, San Francisco, CA
2016 Local II, Mirus Gallery, San Francisco, CA
2016 Rena Bransten Gallery, Pulse Art Fair, Miami, FL
2015 Bird in Hand, Palo Alto Art Center, Palo Alto, CA
2015 Radical Landscapes, di Rosa, Napa, CA
2015 Forgetting the Future: Entropy in the Reflective Age, Torrance Art Museum, Torrance, CA
2015 Transactions, Spring/Break Art Show, NYC, NY
2014 Space//Squared, White Walls Gallery, San Francisco, CA
2014 Local, Mirus Gallery, San Francisco, CA
2014 Home: Shelter and Habitat in Contemporary Art, Schneider Museum of Art, Ashland, OR & Bedford Gallery, Walnut Creek, CA
2013 New Acquisitions, Museum of Contemporary Art, La Jolla, CA
2011 Bay Area Now 6, Yerba Buena Center for the Arts, San Francisco, CA
2011 ROY G BIV, Waterhouse and Dodd, New York, NY
2011 Call & Response, Root Division, San Francisco, CA (Curated and Participated)
2010 Hi-Tide, Aqua Art Fair, Art Slant Booth, Miami Beach, FL
2010 Salon No.5, Marine Contemporary Art Salon, Santa Monica, CA
2010 Magic Window, Verge Gallery, Sacramento, CA
2009 Brooklyn Utopias, Brooklyn Historical Society, Brooklyn, NY
2009 Introductions, Root Division, San Francisco, CA
2009 Master Pieces, Manifest Gallery, Cincinnati, OH
2008 The Immediate Future, The San Francisco Arts Commission Gallery, San Francisco, CA
CV CONT'D
AWARDS, COMMISSIONS & RESIDENCIES
2023 Thomas Wood Invitational Artist In Residence, Il Bisonte Foundation For Art&Printmaking, Florence, Italy
2023 Public Art Commission, Walnut Creek Bart Station, Bart Art Program
2019 Public Art Commission, Sfo Airport Terminal 1, San Francisco Arts Commission, SF, CA
2019 Public Art Commission, Mural Painting Castro Valley, CA, Alameda County Art Commission, Oakland, CA
2017 Kala Fellowship Award, Kala Art Institute, Berkeley, CA
2015 Public Art Commission, Art On Market Street, The San Francisco Arts Commission, SF, CA
2014 Artist In Residence/Commission, Facebook Analog Research Lab, Facebook Headquarters, Menlo Park, CA
2013 Artist In Residence, Bemis Center For Contemporary Arts, Omaha, NE
2010 Artist In Residence, Root Division, San Francisco, CA, 2009-2010
2009 Artist In Residence, The Project Space, The Headlands Center For The Arts, Sausalito, CA
2008 Murphy & Cadogan Fellowship, The San Francisco Foundation, San Francisco, CA
2007 Artist In Residence, The Vermont Studio Center, Johnson, VT
BIBLIOGRAPHY
2019 Print & Online Feature, Whiting, Sam, "San Francisco Skyline Stars In Mosaic At Newly Opened SFO Terminal" San Francisco Chronicle, Datebook Section, 7.25.19
2019 Online Feature, Duran, Doug, "Large-Scale Mural On Castro Valley Underpass" Mercury News, 7.19.19
2019 Print Feature, American Art Collector Magazine, March 2019
2018 Review, Daichendt, James, "2018 Shows Us What San Diego's Art Scene Aspires To Be" San Diego Union Tribune, Critic's Pick. December 23, 2018
2017 Print Feature, Art Maze Magazine, Issue #3, London, England
2015 Print Feature, Centerfold Feature, Could:Painting What's Possible, The Atlantic Magazine, October Issue
2015 Review, Morris, Barbara, Robert Minervini: "Invisible Reflections" Rena Bransten Projects" Art Ltd Magazine, September Issue
2015 Print Feature, Curiel, Jonathan, "Hurray For William Mckinley," Sf Weekly, Wednesday, 5.6.15
2015 Print Feature, Whiting, Sam, "Painter Tells Stories Behind Golden Gate Park Statues," San Francisco Chronicle, Front Page Datebook Section, 4.9.15
2015 Online Feature, Whiting, Sam, "Park Meets Market Street In Poster Series," Sfgate.Org, 3.26.15
2015 Artist Feature, Worth Magazine, San Francisco Edition, April
2014 Review, Abrahams, Megan, Robert Minervini: Until Tomorrow Comes, Art Pulse Magazine, No.18, Vol. 5
2013 Review, Leah Ollman, "Utopia And Dystopia Vie In Robert Minervini Landscapes," La Times, 12.24.13
2013 Art Feature, Bush, Bill, "A Room With Nine Views," Www.Huffingtonpost.Com /Artweek, 12.16.13
2013 Review, Cheng, Dewitt, Art Ltd Magazine, Critic's Pick. May Issue
2013 Review, Bigman, Alex, Four New Art Shows Explore Civilization And Decay, 7x7 Magazine, 5.8.13
2013 Review, Wright Hession, Stephanie, "Robert Minervini Art At Electric Works," S.F.Chronicle, 5.16.13
2012 Art Feature, Feinstein, Lea, Focus: Oakland, Art Ltd Magazine, Pg. 28-29, May/June Issue
2012 Art Feature, Bigman, Alex, Four April Art Shows To Keep You Busy, 7x7 Magazine, 4.3.12
2012 Review, Nataraj, Nirmala, Hymns To The Moon: Celebrating Phases On Earth," Sf Chronicle, Pg. G-7, 5.22.12
2012 Review, Meyers, Holly, Modern Painters, April Issue, Page. 86
CATALOGUES & PUBLICATIONS
2023 Print Feature, Friends Of The Artist (Volume 17)
2022 Print Feature, The Florentine Magazine, May Issue
2018 Print Feature, American Art Collector Magazine, March Issue
2015 Print Feature, Paint Pulse Magazine, Issue #1, Boston, Ma
2015 Print Feature, Lumina Journal, Vol. Xiv, Sarah Lawrence College, Bronxville, Ny
2013 Print Feature, New American Paintings, 109, Pacific Coast Edition, Open Studios Press, Boston, Ma
2012 Print Feature, Cover Image, Studio Visit Magazine, Vol.16, The Open Studios Press, Boston, Ma
2011 Print Feature Book 6: Future Perfect, Beautiful Decay Magazine
2011 Print Feature, The Panhandler Magazine, Issue #5, University Of West Florida, Pensacola, Fl
2010 Print Feature, New American Paintings, #91, Pacific Coast Ed., The Open Studios Press, Boston, Ma
2009 Exhibition Catalogue, Master Pieces, Manifest Gallery, Cincinnati, Oh
2008 Print Feature, Mural Art: Large Scale Art From Walls Around The World, Kiriakos Iosifidis, Adbusters
COLLECTIONS
City & County Of San Francisco Public Art Collection, San Francisco Arts Commission San Francisco, Ca
City & County Of San Francisco Art Collection, San Francisco, California
San José Museum Of Art, San José, California
Alameda County Public Art Collection, Alameda County Arts Commission, California
Museum Of Contemporary Art San Diego, La Jolla, California
Fidelity Investments, Corporate Art Collection, Boston, Massachusetts
Royal Caribbean, Corporate Art Collection
Cal Poly, Special Collections And Archives, San Luis Obispo, California
Ellie Mae, Pleasanton, California
Facebook, Menlo Park, California
General Hospital, San Francisco Arts Commission, San Francisco, California
Qualcomm, Corporate Art Collection, San Diego, California
Brooklyn Historical Society, Brooklyn, New York
GALLERY REPRESENTATION
Hirschl And Adler Modern, New York, NY
Rena Bransten Projects, San Francisco, CA
J.Willott Gallery, Palm Desert, CA