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Anastasia Pelias

On the edge of the abyss (make it sexy)

“First Saturdays” Opening Reception - 3 January 2026 5-8 PM

December 17, 2025 – February 7, 2026

ANASTASIA PELIAS, She survived, but her heart broke into a thousand pieces and drifted out to sea, 2025

ANASTASIA PELIAS

She survived, but her heart broke into a thousand pieces and drifted out to sea, 2025

polyurea, polystyrene, auto paint, plexiglass, wood

Sculpture - 41h x 74w x 46d inches
Base - 14h x 61w x 30.5d inches
Overall - 55h x 74w x 46d inches

ANPE153

ANASTASIA PELIAS, She survived, but her heart broke into a thousand pieces and drifted out to sea, 2025

ANASTASIA PELIAS

She survived, but her heart broke into a thousand pieces and drifted out to sea, 2025

polyurea, polystyrene, auto paint, plexiglass, wood

Sculpture - 41h x 74w x 46d inches
Base - 14h x 61w x 30.5d inches
Overall - 55h x 74w x 46d inches

ANPE153

ANASTASIA PELIAS, She survived, but her heart broke into a thousand pieces and drifted out to sea, 2025

ANASTASIA PELIAS

She survived, but her heart broke into a thousand pieces and drifted out to sea, 2025

polyurea, polystyrene, auto paint, plexiglass, wood

Sculpture - 41h x 74w x 46d inches
Base - 14h x 61w x 30.5d inches
Overall - 55h x 74w x 46d inches

ANPE153

ANASTASIA PELIAS, She survived, but her heart broke into a thousand pieces and drifted out to sea, 2025

ANASTASIA PELIAS

She survived, but her heart broke into a thousand pieces and drifted out to sea, 2025

polyurea, polystyrene, auto paint, plexiglass, wood

Sculpture - 41h x 74w x 46d inches
Base - 14h x 61w x 30.5d inches
Overall - 55h x 74w x 46d inches

ANPE153

ANASTASIA PELIAS, We can take you if you want to go, 2025

ANASTASIA PELIAS

We can take you if you want to go, 2025

oil on canvas

70h x 140w in
177.80h x 355.60w cm

ANPE150

ANASTASIA PELIAS, Here we are... or are we?, 2025

ANASTASIA PELIAS

Here we are... or are we?, 2025

oil on canvas

66.50h x 133w in
168.91h x 337.82w cm

ANPE151

ANASTASIA PELIAS, The Luminous Interval, 2025

ANASTASIA PELIAS

The Luminous Interval, 2025

oil on canvas

50h x 80w in
127h x 203.20w cm

ANPE152

ANASTASIA PELIAS, On the Edge of the Abyss (December), 2025

ANASTASIA PELIAS

On the Edge of the Abyss (December), 2025

oil stick and sumi ink on Arches paper

63.50h x 51.50w in
161.29h x 130.81w cm

Framed: 68.50h x 57w in
173.99h x 144.78w cm

ANPE156

ANASTASIA PELIAS, On the Edge of the Abyss (November), 2025

ANASTASIA PELIAS

On the Edge of the Abyss (November), 2025

oil stick on arches paper

54.50h x 51.50w in
138.43h x 130.81w cm

Framed: 57.50h x 56.75w in
146.05h x 144.15w cm

ANPE155

ANASTASIA PELIAS, On the edge of the abyss (July), 2024

ANASTASIA PELIAS

On the edge of the abyss (July), 2024

sumi ink and charcoal on Arches paper

51.50h x 51.50w in
130.81h x 130.81w cm

Framed: 56.75h x 56.75w in
144.15h x 144.15w cm

ANPE154

Press Release

FERRARA SHOWMAN GALLERY is proud to present On the edge of the abyss (make it sexy), the fifth gallery solo exhibition of New Orleans-based painter, sculptor, and multimedia artist Anastasia Pelias. The exhibition will be on view through 7 February 2026 with an opening reception on 3 January from 5 – 8 PM - in conjunction with the Arts District New Orleans’ monthly First Saturday Gallery Openings.

 

Pelias discusses the inspiration for her latest body of work . . .

Part of the title of this exhibition is borrowed from a line by Nikos Kazantzakis in Askitiki, The Saviours of God. “We come from a dark abyss, we end in a dark abyss, and we call the luminous interval life.” The work in On the edge of the
abyss (make it sexy) surprises me. My initial intention was for the paintings in this body of work to be dark, quiet and mysterious – moody and restrained. Instead the paintings formed a trajectory outside of me. They insisted on becoming dynamic and bright, full of color and energy, alive with their own momentum.


The paintings in this exhibition are an acknowledgment and perhaps a celebration of being alive – of breathing, of breath itself, of color and movement. They gesture toward dimensions beyond the one we know so well, hovering between the
sensual and the metaphysical, between staying and being released. The inception of the sculpture, She survived, but her heart broke into a thousand pieces and drifted out to sea, came from a terrifying brush with death while I was swimming in the Aegean Sea, with my daughter peering down from a mountain path, not knowing what was happening to me.


With its feminine animal form, a mermaid tail and head of a snake draped over a rock, the sculpture explores mortality, mythology, transformation, and the human will to survive. It speaks to the imperishable bond between mother and daughter, the omnipresence of ancestors and angels, and the choice that was mine to make in an impossible moment.

Press Release cont'd


Anastasia Pelias was born in New Orleans, LA to a Greek immigrant mother and a first generation Greek-American father. She received her BFA from the Newcomb College of Tulane University in 1981, and her MFA from the University of New Orleans in 1996. Pelias has exhibited her work in solo and group exhibitions at galleries and museums nationwide, and has been featured in publications including Hyperallergic, New American Paintings, Artnet news, ArtDaily, Forbes, Pelican Bomb and New Orleans Art Review. Her work appears in the permanent collections at the New Orleans Museum of Art; the Ogden Museum of Southern Art, New Orleans; the Mobile Museum of Art, Alabama; Newcomb Art Museum, New Orleans; the McNay Art Museum, San Antonio, and in private and public collections worldwide.

Pelias ’work has been featured in notable exhibitions including The Whole Drum Will Sound: Women in Southern Abstraction at the Ogden Museum of Southern Art in 2018, and Per(Sister): Incarcerated Women in Louisiana at Newcomb Art Museum in 2019 and at the Ford Foundation Gallery in 2020. In 2018, Pelias was commissioned by the McNay Art Museum in San Antonio, TX to to make a site-specific sculpture and painting installation. In 2020, Pelias was commissioned by the Domain Companies to create a 54 foot mural at the Odeon Building in New Orleans. In 2020 she was awarded a Joan Mitchell Foundation Artist Residency. Pelias was a selected artist in the Prospect.5 Triennial, 2021- 22, where she exhibited a site-specific multi sensory installation involving sculpture, a painted landscape, sound and scent.

 

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For more information, press or sales inquiries please contact Gallery Director Matthew Weldon Showman at 504.343.6827 or matthew@ferrarashowman.com. Please join the conversation with FSG on Instagram (@FerraraShowmanGallery) via the hashtags: #AnastasiaPelias, #ArtsDistrictNewOrleans, and #FerraraShowmanGallery.