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RUTH OWENS

Entanglement: all life is life.

new paintings and video

February 25 – April 8, 2023

RUTH OWENS, Witness, 2023

RUTH OWENS

Witness, 2023

oil on canvas

76h x 95w in
193.04h x 241.30w cm

RUTH OWENS, Summertime Girl, 2023

RUTH OWENS

Summertime Girl, 2023

oil on canvas

64h x 48w in
162.56h x 121.92w cm

RUTH OWENS, Deep End, 2023

RUTH OWENS

Deep End, 2023

oil on canvas

60h x 48w in
152.40h x 121.92w cm

RUTH OWENS, Dark Alocasia, 2021-23

RUTH OWENS

Dark Alocasia, 2021-23

oil on canvas

60h x 48w in
152.40h x 121.92w cm

RUTH OWENS, Adieu Gaugin, 2023

RUTH OWENS

Adieu Gaugin, 2023

oil on canvas

60h x 36w in
152.40h x 91.44w cm

RUTH OWENS, Toile Dance, 2023

RUTH OWENS

Toile Dance, 2023

oil on canvas

50h x 37w in
127h x 93.98w cm

RUTH OWENS, Lucia, 2022

RUTH OWENS

Lucia, 2022

acrylic on paper

66h x 36w in
167.64h x 91.44w cm

RUTH OWENS, Beach Boys, 2023

RUTH OWENS

Beach Boys, 2023

oil on canvas

40h x 40w in
101.60h x 101.60w cm

RUTH OWENS, Kristina Kay, 2023

RUTH OWENS

Kristina Kay, 2023

oil on canvas

40h x 30w in
101.60h x 76.20w cm

RUTH OWENS, Bianca, 2023

RUTH OWENS

Bianca, 2023

acrylic on paper

43h x 35.50w in

109.22h x 90.17w cm

RUTH OWENS, Deep End, study, 2023

RUTH OWENS

Deep End, study, 2023

acrylic on paper

30.75h x 24w in
78.11h x 60.96w cm

Framed: 35h x 28.50w in
88.90h x 72.39w cm

RUTH OWENS, Lucia, study I, 2022

RUTH OWENS

Lucia, study I, 2022

acrylic and transfer on paper

16.50h x 9.25w in
41.91h x 23.50w cm

Framed: 20.50h x 13w in
52.07h x 33.02w cm

RUTH OWENS, Adieu, Gaugin, study, 2023

RUTH OWENS

Adieu, Gaugin, study, 2023

casein on paper

12h x 7.50w in
30.48h x 19.05w cm

Framed: 16.25h x 11w in
41.28h x 27.94w cm

RUTH OWENS, Uncle Clarence, study, 2023

RUTH OWENS

Uncle Clarence, study, 2023

casein on paper

13h x 10.75w in
33.02h x 27.31w cm

Framed: 13h x 10.75w in
33.02h x 27.31w cm

RUTH OWENS, Devotion, 2023

RUTH OWENS

Devotion, 2023

casein on paper

10h x 8w in
25.40h x 20.32w cm

Framed: 13h x 11w in
33.02h x 27.94w cm

RUTH OWENS, See Me, Countryside, study, 2023

RUTH OWENS

See Me, Countryside, study, 2023

casein, pencil on paper

10h x 7.40w in
25.40h x 18.80w cm

Framed: 13h x 10.25w in
33.02h x 26.04w cm

RUTH OWENS, Sunday Sister, 2022

RUTH OWENS

Sunday Sister, 2022

ink and casein on paper

Framed: 13.50h x 9.25w in
34.29h x 23.50w cm

RUTH OWENS, Stationed in West-Germany, 2023

RUTH OWENS

Stationed in West-Germany, 2023

casein on paper

6.40h x 10w in
16.26h x 25.40w cm

Framed: 9.50h x 13w in
24.13h x 33.02w cm

RUTH OWENS, Rest Stop, 2023

RUTH OWENS

Rest Stop, 2023

casein on paper

10h x 6.60w in
25.40h x 16.76w cm

Framed: 13h x 9.50w in
33.02h x 24.13w cm

RUTH OWENS, Sexy Car Girl, study, 2023

RUTH OWENS

Sexy Car Girl, study, 2023

2023

8h x 8w in
20.32h x 20.32w cm

Framed: 11h x 11w in
27.94h x 27.94w cm

RUTH OWENS, Court Ladies, 2023

RUTH OWENS

Court Ladies, 2023

casein on paper

8.40h x 7w in
21.34h x 17.78w cm

Framed: 11.25h x 10w in
28.58h x 25.40w cm

RUTH OWENS, Boxing Days, study II, 2023

RUTH OWENS

Boxing Days, study II, 2023

casein on paper

8h x 6w in
20.32h x 15.24w cm

Framed: 11h x 9w in
27.94h x 22.86w cm

RUTH OWENS, Opa's Elegy, 2022

RUTH OWENS

Opa's Elegy, 2022

chine colle etching

8.25h x 6.75w in
20.96h x 17.15w cm

Framed: 12h x 10.50w in
30.48h x 26.67w cm

Press Release

15 February 2023 (New Orleans, LA) JONATHAN FERRARA GALLERY is pleased to announce Entanglement : all life is life., the third solo exhibition of German, African American artist Ruth Owens. The artist presents eight new paintings, fifteen works on paper, and a video piece which depict black and brown bodies in the outdoors.  A historically uninviting, even dangerous, space for people of color, Owens has shifted the focus of her work on this subject matter for the last three years to elucidate this cultural inequity. These works illustrate scenes of growth, power, and spirituality through these figures’ relationship to nature. Taking these two formerly estranged entities, Owens’ portraits reveal a complex yet kindred spirit between human and environment.

 

I. at creation

and i and my body rise

with the dusky beasts

with eve and her brother

to gasp in

the insubstantial air

and evenly begin the long

slide out of paradise.

all life is life.

all clay is kin and kin.

      -  Lucille Clifton

 

The artist expounds the exhibition’s purpose . . .

 

So here we are.

 

It seems that the same impulses that lead to the colonization of people, lead to the irreverent control and exploitation of nature. Those are impulses that foster a dualistic polemic, between people of different cultures, and between humans and the natural world. As a pushback to this dualistic mode, I emphasize the connectedness and the entanglement that occurs between disparate cultures, and between humans and the environment. Specifically, I’m looking at the inextricable influences Northern European and African cultures have on each other, as well as the entanglement we have with nature as human beings. As a descendant of African and Teutonic cultures who is located in the vulnerability of the Gulf South, these are deeply personal issues for me, that necessitate attention and gestures toward reconciliation.

 

I use William Morris wallpaper designs, created for the nobility of Victorian Europe, as the background for portraits of people from the African diaspora. These designs provide a setting that speaks to the dominance of a culture that presents a beautiful, albeit stylized, sanitized, and controlled view of nature. The paintings show the black figure situated in a visually engaging design of nature that belies a destructive dominance which is ever present and exerting its influence as a standard of beauty, arbiter of social hierarchy, and possessor of power over people and land. I am interested in challenging this polemical attitude and point to the connectedness of cultures, and of humans and the environment.

 

I posit we should listen to Lucille Clifton and understand that “all life is life” and enter into a reciprocal relationship across cultures and with our natural world.

 

Ruth Owens graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented by the JONATHAN FERRARA GALLERY, and belongs to the artist collective, “The Front,” both in New Orleans. Owens’ work is concerned with contributing to and preserving the black archive, and she uses personal super-8 film references in her painting and video art. Artist residencies include the Joan Mitchell Center, the Addison Gallery of American Art, the Vermont Studio Center, and the Studios at MASS MoCA. She is slotted to attend the International Studio and Curatorial Program in NY in Spring of 2023. Her work is in the permanent collections of the Ackland Art Museum at UNC-Chapel Hill, the Addison Gallery of American Art, the Ogden Museum of Southern Art, the Dale Center for the Study of War and Society, and 21c Museums.

 

The exhibition will be on view from 25 February through 8 April 2023 with an opening reception on Saturday 4 March and closing reception on Saturday 1 April - both coinciding with the Arts District of New Orleans’ (ADNO) First Saturday Gallery Openings from 5 – 9 PM.

 

For more information, press or sales inquiries please contact Gallery Director Matthew Weldon Showman at 504.343.6827 or matthew@jonathanferraragallery.com. Please join the conversation with JFG on Facebook (@JonathanFerraraGallery), Twitter (@JFerraraGallery), and Instagram (@JonathanFerraraGallery) via the hashtags: #RuthOwens, #JonathanFerraraGallery, and #ArtsDistrictNewOrleans.