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ARTIST INTERVIEW - DIRK STASCHKE  |||  Matter of Perspective

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I endeavor to explore the space in between sculpture and painting that neither medium can occupy alone.



D I R K   S T A S C H K E   | | |   biography

[lives & works - Portland, OR  :::  b. 1971 - Hunstville, Alabama]


DIRK STASCHKE received his BFA from the University of Montevallo and his MFA from Alfred University. He has maintained an ongoing studio practice and extensive exhibition record for the last twenty-six years. During this time, he has taught at many notable universities, including Emily Carr University, Alfred University and New York University. His work has been shown internationally and resides in the permanent collections of numerous museums including the Renwick Gallery of the Smithsonian Museum in Washington (DC), The Museum of Art and Design in New York City, The Portland Art Museum (OR), and the Icheon Museum, World Ceramic Center in Gwango-dong, South Korea.  He has received various artist’s grants including grants from The Virginia Groot Foundation and the Canada Council on the Arts. His current body of work explores the spaces in between sculpture and painting.


Artist Statement

Dutch still life paintings of the 17th and 18th centuries, sometimes referred to as Vanitas, are concerned with the futility of pleasure and the certainty of death. Religious in nature, the paintings also confer the belief that this world is somehow less real than the one that awaits. In a time before the camera, these paintings’ reliance on skill and verisimilitude confounded the viewer with realism. This same attachment to skill has been a key element of my own work since the beginning and it has become a greater focus of investigation for the last eight years.


I endeavor to explore the space in between sculpture and painting that neither medium can occupy alone. Look behind a painting and the illusion of space is lost. My work seeks to give that space a tangible form. Like the façade of a movie set, the knowable gives way to a backdrop of structures that exist in support and in reaction to its creation. Representation becomes a departure point and a foil for examining skill and craft.


My questions manifest in the studio as boundaries, rules, or intentionally self-defeating gestures realized through process. In my glaze paintings I look to translate the futility associated with Vanitas into an artistic gesture by painstakingly depicting what is representational and static in the fluid medium of glaze that will change beyond my control once fired. It is a leap of faith that captures a fleeting moment reminiscent of the temporal nature of life. The outcome is never guaranteed


Although I still find joy in the precise, I have become more interested in inventing systems and exploring meaning in the surprises of the ceramic process that occur outside my control. Unlike the pessimism embodied in Dutch Vanitas paintings, my work is an acceptance and encouragement of the things we cannot control. Reality is transformed and futility gives way to optimism.


Curriculum Vitae


1998     Alfred University, Alfred, NY, Master of Fine Arts Degree

1995     University of Montevallo, Montevallo, AL, Bachelor of Fine Arts Degree



2024     Impressions, Ferrara Showman Gallery, New Orleans, LA

2021     Wallflowers, Mark Moore Fine Art, Orange Park, CA

2019     Matter of Perspective, Ferrara Showman Gallery, New Orleans, LA

2018     In-Between, Mark Moore Fine Art, Orange Park, CA

2017     Perfection of Happenstance, Winston Wachter Fine Art, Seattle,WA

2016     Nature Morte, (AMOCA) American Museum of Ceramic Art, Pomona, CA

2015     Executing Merit, Winston Wachter Fine Art, Seattle, WA

2014     Bounty, Clark Collage, Vancouver, WA

2013     Sated, Winston Wachter Fine Art, Seattle, WA

2012     Falling Feels A Lot Like Flying, Bellevue Arts Museum, Bellevue, WA

2009     Making Arrangements, Wexler Gallery, Philadelphia, PA

2006     Ornament, Wexler Gallery, Philadelphia, PA

2004     Politics of Clay, Clay Art Center, Port Chester, NY

             Wexler Gallery, Philadelphia, PA

2003     John Elder Gallery, New York, NY



2023     Art Miami, Ferrara Showman Gallery, Miami, FL

2022     Momento Mori, Northern Clay Center, Minneapolis, MN

             Earth Oracles, Mayten’s Gallery, Toronto, ON

             Collect Art Fair, London, England

2021     Salon Art Fair, Culture Object, NY, NY

             Dead Reconning, Pensacola Museum of Art, FL

             Counterparts, The Museum of Glass, Tacoma, WA

             Contemporary Clay, Western Carolina University Museum, Cullowhee, NC

             Looking West: A Survey of Art on the Left Coast, Mark Moore Fine Art, CA

2020     Art Miami, Ferrara Showman Gallery, Miami, FL

             Rare Earth, Mark Moore Fine Art, Orange Park, CA

             Culture Object, New York, NY

2019      Art Miami, Cynthia, Corbett Gallery, Miami, FL

             Our Shared Heritage, Huntsville Museum of Art, Huntsville, AL

             State of the Art, Giertz Gallery, Champagne, IL

2018     Collect, London Art Fair, w/ Cynthia, Corbett Gallery, London, England

             Vasa Vasorum, Curated by Garth Clark at peters Projects, Santa Fe, NM

             Revive, Remix, Respond, The Frick Museum, Pittsburgh, PA

             New York Ceramics and Glass Fair, w/ Ferrin Contemporary, New York, NY

             Sugar, Eutectic Gallery, Portland, OR

2017     C’est le bouquet, Fondation d’entreprise Bernardaud, Limoges, France

             The Evocative Garden, NCECA invitational exhibition, Portland, OR

             Selections from the PAM permanent Collection, Portland Art Museum, OR

             Sweet Tooth: The Art of Dessert, Shelburne Museum, Shelburne, VT

             BC to BC, San Diego Art Institute, San Diego, CA

             LH Project, Trifecta: Future Forward on the Ceramic Highway, Portland, OR

             Form Over Function, Winston Wachter Fine Art, Seattle, WA

2015     Crafting a Collection, Fuller Craft Museum, Brockton, MA

2014     Ceramic Top 40, Red Star Studios, Kansas City, MO

             Dark Matter, Boehm Gallery, Palomar College, San Marcos, CA

2013     Bunting Biennial Ceramics Symposium, Birmingham Museum of Art, Birmingham, AL

2012     Shifting Paradigms, Museum of Fine Arts, Houston,  Houston, TX

             Enough is as Good as a Feast, Gallery Jones, Vancouver, BC



The Smithsonian, American Art Museum, Renwick Gallery, Washington, DC

Museum of Art and Design (MAD), New York, NY

Icheon Museum, World Ceramic Center, Gwango-dong, South Korea

The Crocker Art Museum, Sacramento, CA

The Portland Art Museum, Portland, OR

Museum of Fine Arts Houston, Houston, TX

Everson Museum of Art, Syracuse, NY

Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT

AMOCA (American Museum of Ceramic Art), Pasadena, CA

Huntsville Museum of Art, Huntsville, AL

Fuller Museum, Brockton, MA

Birmingham Museum of Art, Birmingham, AL

Burlington Art Museum, Burlington,ON

The Burchfield Penney Museum, Buffalo, NY

The International Museum of Dinnerware Design, Ann Arbor, MI

ASU Art Museum, Tempe, AZ

The International Museum of Ceramic Art, Alfred, NY

Fidelity Mutual, Cincinnati, OH

Fidelity Investments Corporate Collection

Southern Progress Corporate Collection, Birmingham, AL

Various Private collections