![PAUL VILLINSKI, Belt [detail], 2015](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5493565707a72c7342335013/d136bfb7653cd444ba3ea67973039f0d.jpeg)
![PAUL VILLINSKI Cirrus [medium element detail view], 2015](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5493565707a72c7342335013/5808cc571a9a87f77e54af934985f09d.jpeg)
![PAUL VILLINSKI Cirrus [small element detail view], 2015](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5493565707a72c7342335013/2d2a5d06705cf6fa8c483b34b0dd19f9.jpeg)
![PAUL VILLINSKI Cirrus [detail view], 2015](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5493565707a72c7342335013/ba977d711fb78f4fa2907bbcbaf0afdd.jpeg)
Margaret Evangeline
KATRINA ANDRY
The Jungle Bunny Gave You Fever. The Only Cure is to Fuck the Bunny. She Wants It., 2011
digital media and color woodcut reduction print on coventry linen rag
62.75 x 43 inches
Edition of 6
This is a stereotype of the Jungle Bunny; the hypersexual, exotic creature from another land. The aspect of being hypersexual was often used from the 1400-1940s as a reason as to why raping women of color wasn’t seen as a crime against humanity. They wanted it obviously. The term “jungle fever”, as if being involved with a person of color implies that you’ve been stricken with some sort of disease because it’s not natural for two people from different ethnic backgrounds to “love” one another. There can only be a feverish lust between the two of them, no true actual feelings of love. How could you love a Jungle Bunny? This piece confronts the stereotype of women of color being lascivious, hypersexual, animalistic, exotic beings.
KATRINA ANDRY
Congratulations You Made It!: Working Your Way Up the American Caste System, 2009
digital media and color woodcut reduction print on coventry linen rag
55.25 x 45 inches
Edition of 5
This pieces strays a bit from the overarching theme of the rest of my work, which really focuses on how stereotyping influences social justice issues. The idea surrounding this piece is that the colonized want to be like the colonizer in style, in achievements and in life. This self-loathing notion runs pervasive in the black community. One of the ways it’s seen most strongly is an educated or well-to-do black man having a preference for white women. White women are the prize that awaits all of his efforts at being successful. White men, the powerful colonizer, marry white women. A white woman is seen as the ideal representation of femininity and beauty. She’s a well-deserved prize for a man of color that beat the odds, got his degree, and has many achievements under his belt. He stands on the totem poll of black women (presumably his mom or relatives) and sees himself as “better” than them because of his achievements and so worthy of his white prize. He’s ejaculating on his prize. This represents the obsession with having mixed children, children that “aren’t as black as your children”, and are therefore more beautiful as they are closer to whiteness.
DAVID BUCKINGHAM
Chris Burden II, 2011
cut and welded found metal
41 x 60 x 9 inches
DAVID BUCKINGHAM
Meh!, 2014
cut and welded found metal
31 x 48 x 4 inches
DAVID BUCKINGHAM
Dave Turgeon, 2015
cut and welded found metal
31 x 41 x 2 inches
DAVID BUCKINGHAM
The World According to Cowboy Ray Kelly, 2015
cut and welded found metal
DAVID BUCKINGHAM
Where'd You Go To School?, 2015
cut and welded found metal
52.5 x 18.5 inches
DAVID BUCKINGHAM
Bourbon Street Chant, 2010
cut and welded found metal
34.5 x 28 inches
MARGARET EVANGELINE
Osha Vichy, 2002
gunshots and oil on aluminum
60 x 48 inches
MARGARET EVANGELINE
Saint Sebastian IX, 2010
gunshot powder coated stainless steel
42 x 42 inches
MARGARET EVANGELINE
Sunday Morning II, 2014
gunshot stainless steel with powder coating
42 x 42 inches
MARGARET EVANGELINE
Other Voices I, 2006
gunshots on stainless steel
30 x 30 inches
MARGARET EVANGELINE
Other Voices III, 2006
gunshots on stainless steel
30 x 30 inches
MARGARET EVANGELINE
Shot Through I, 2013
gunshot on powder-coated stainless steel
24 x 24 inches
MARGARET EVANGELINE
Saint Sebastian V, 2010
gunshots on powder-coated stainless steel
18 x 18 inches
MARGARET EVANGELINE
Saint Sebastian VII, 2010
gunshot on powder-coated stainless steel
18 x 18 inches
SKYLAR FEIN
1000 Stamps (Price Charles, Lady Diana), 2015
painted aluminum, homasote, rubber
28 x 22.5 x 5 inches
SKYLAR FEIN
1000 Stamps (Eleanor Roosevelt), 2014
painted aluminum, wood, rubber
31 x 22.5 x 4 inches
SKYLAR FEIN
Pepsi (Think Young), 2015
painted aluminum, homasote, rubber
26 x 24 x 5.5 inches
SKYLAR FEIN
Pepsi-Cola, 2015
painted aluminum, homasote, rubber
27 x 24 x 5 inches
SKYLAR FEIN
Coca-Cola (Snow), 2015
painted aluminum, homasote, rubber
27 x 24 x 5 inches
SKYLAR FEIN
Chevrolet '61, 2015
painted aluminum, homasote, rubber
26 x 24 x 5 inches
SKYLAR FEIN
Marlin, 2015
painted aluminum, homasote, rubber
27 x 24 x 5 inches
SKYLAR FEIN
Aspirin, 2015
painted aluminum, homasote, rubber
25 x 24 x 5 inches
SKYLAR FEIN
Budweiser, 2015
painted aluminum, homasote, rubber
24 x 24 x 5 inches
SKYLAR FEIN
Big Hits Rolling Papers, 2014
painted aluminum, wood, rubber
24 x 24 x 4 inches
SKYLAR FEIN
Do You Know a Space Cadet?, 2014
painted aluminum, wood, rubber
24 x 24 x 4 inches
SKYLAR FEIN
Happiness Is, 2015
painted aluminum, homasote, rubber
24.5 x 24 x 5 inches
SKYLAR FEIN
Thank You (Vaughn's Bar), 2015
painted aluminum, homasote, rubber
24 x 24 x 5 inches
SKYLAR FEIN
Rock Island, 2015
painted aluminum, homasote, rubber
27 x 24 x 5 inches
SKYLAR FEIN
Looking for Something? (Use the Yellow Pages), 2015
painted aluminum, homasote, rubber
27 x 24 x 5 inches
SKYLAR FEIN
Crisco Disco, 2015
painted aluminum, homasote, rubber
27 x 18.5 x 4 inches
SKYLAR FEIN
King Edward Cigars, 2015
painted aluminum, homasote, rubber
27 x 24 x 4 inches
SKYLAR FEIN
IBM, 2015
painted aluminum, homasote, rubber
27 x 24 x 5 inches
BONNIE MAYGARDEN
Simulation I, 2015
acrylic on canvas
48 x 48 inches
BONNIE MAYGARDEN
Simulation II, 2015
acrylic on canvas
48 x 48 inches
GINA PHILLIPS
Johnny Kashner, 2015
fabric, thread, paint
65 x 28 inches
GINA PHILLIPS
Daisy, 2015
fabric, thread, paint
36 x 40 inches
GINA PHILLIPS
Lux Cloud, 2015
fabric, thread, paint
21.5 x 74.5 inches
MARNA SHOPOFF
141, 2014
oil and ink on canvas
126 x 144 inches [quadriptych]
MARNA SHOPOFF
Internal Constructs, 2014
oil and ink on canvas
72 x 126 inches [diptych]
MARNA SHOPOFF
Inside Out, 2014
oil and ink on canvas
72 x 96 inches [diptych]
MARNA SHOPOFF
Borrowed Space, 2015
oil, ink, gouache on canvas
72 x 76 inches
diptych
MARNA SHOPOFF
All Shades of Blue, 2015
oil and ink on canvas
37.5 x 34 inches
MARNA SHOPOFF
Either Way, 2015
oil, gouache, ink on canvas
26 x 40 inches
diptych
MARNA SHOPOFF
The Bridge Between, 2015
oil, gouache, acrylic, ink on canvas
23 x 12.5 inches
MARNA SHOPOFF
Ribbon, 2015
oil, acrylic, gouache and ink on canvas
12.5 x 10 inches
PAUL VILLINSKI
Belt, 2015
discarded liquor bottles, belts, rivets
27 x 8 x 1.5 inches
installation variable
PAUL VILLINSKI
Belt [detail], 2015
discarded liquor bottles, belts, rivets
27 x 8 x 1.5 inches
installation variable
PAUL VILLINSKI
Appear, 2014
aluminum (found cans), wire, acrylic on panel
48 x 48 x 8 inches
PAUL VILLINSKI
Empire III, 2014
antique carved frame, aluminum (found cans), wire, steel, soot, flashe
36.5 x 28.75 x 8.25 inches
PAUL VILLINSKI
Empire II, 2014
antique carved frame, aluminum (found cans), wire, steel, soot, flashe
17 x 15.5 x 6.25 inches
PAUL VILLINSKI
Cirrus [medium element detail view], 2015
powder coated steel, found aluminum cans, wire, blue Flashe
37 x 114 x 8 inches
individual element: 21 x 49 x 7 inches
PAUL VILLINSKI
Cirrus [small element detail view], 2015
powder coated steel, found aluminum cans, wire, blue Flashe
37 x 114 x 8 inches
individual element: 16 x 35 x 6 inches
PAUL VILLINSKI
Cirrus [detail view], 2015
powder coated steel, found aluminum cans, wire, blue Flashe
37 x 114 x 8 inches
MONICA ZERINGUE
Nocturne, 2015
oil and hand-sewn glass bead on linen
12 x 12 inches
MONICA ZERINGUE
Cusp, 2015
acrylic, hand-sewn gold plated beads and wallpaper on linen
13.75 x 13.75 inches
MONICA ZERINGUE
Blood Moon I, 2015
oil, glass beads and embroidered hair on linen
13.75 x 13.75 inches
MONICA ZERINGUE
Blood Moon II, 2015
oil on linen
13.75 x 13.75 inches
MONICA ZERINGUE
Under her dark veil, 2015
graphite, embroidered thread and beads on linen
13.75 x 13.75 inches
MONICA ZERINGUE
And yet I cannot go, 2015
graphite and beads on linen
13.75 x 13.75 inches
MONICA ZERINGUE
Moments after I have dreamed, 2015
graphite and beads on linen
13.75 x 13.75 inches
MONICA ZERINGUE
Let evening come, 2015
graphite and beads on linen
13.75 x 13.75 inches
MONICA ZERINGUE
God gloats upon her stunning flesh, 2015
graphite and beads on linen
13.75 x 13.75 inches
MONICA ZERINGUE
Her pale fire snatches from the sun, 2015
graphite and beads on linen
13.75 x 13.75 inches
MONICA ZERINGUE
Perching on this silver minute of evening, 2015
graphite and beads on linen
13.75 x 13.75 inches
MONICA ZERINGUE
We grow accustomed to the dark, 2015
graphite and beads on linen
13.75 x 13.75 inches
MONICA ZERINGUE
Odalisque, 2014
graphite on primed linen
13 x 13 inches
MONICA ZERINGUE
Narcissus, 2014
graphite on primed linen
19 x 31 inches
